Portrait of Edvard Grieg. Edvard Grieg (1843–1907) stands as a central figure of Scandinavian Romanticism and a defining voice of Norwegian national music. His style blends Romantic harmonic language with elements drawn from Norwegian folk tradition, creating a sound world both distinctive and lyrically direct. His output spans orchestral music, chamber works, piano compositions, and songs, with a particular affinity for concise forms and melodic clarity. The following is a representative, carefully curated selection of his most significant works. Orchestral Works In Autumn, Overture, Op. 11 Two Elegiac Melodies, Op. 34 Holberg Suite (From Holberg’s Time), Op. 40 Peer Gynt Suite No. 1, Op. 46 Peer Gynt Suite No. 2, Op. 55 Lyric Suite, Op. 54 Sigurd Jorsalfar, Op. 56 Symphonic Dances, Op. 64 Chamber Music Violin Sonatas (for violin and piano) No. 1 in F major, Op. 8 No. 2 in G major, Op. 13 No. 3 in C minor, Op. 45 String Quartet in G minor, Op. 27 ...
In the autumn of 1853, a young composer from Hamburg stood at the threshold of Robert Schumann ’s home in Düsseldorf. Within weeks, Schumann would publish his now-famous article Neue Bahnen (“New Paths”), proclaiming Johannes Brahms the long-awaited successor to the great German tradition. The praise was immediate, almost overwhelming. So too was the burden. Only months later, Schumann suffered a mental collapse and was committed to an asylum. Brahms, barely in his twenties, found himself at the center of an emotional and artistic storm—close to Clara Schumann, confronted with responsibility, expectation, and the weight of inheritance. It was in this climate of psychological intensity that the musical material of what would become the First Piano Concerto began to take shape. The work did not begin as a concerto. Its earliest incarnation was a sonata for two pianos. Yet the musical substance resisted confinement. Its scale, density, and dramatic gravity demanded orchestr...