Johann Straus II - Vergnügungszug (Pleasure Train), op. 281

Johann Strauss II , known for his waltzes and lively compositions, had a unique approach to his creative process. He consistently sought contemporary and relevant themes to serve as the driving force behind his new musical compositions. This approach ensured that his work remained fresh and connected with the audiences of his time.  One notable instance of this creative approach was the composition of this polka, composed in 1864. This piece of music was specifically crafted for a summer concert held in the picturesque Russian town of Pavlovsk. It's fascinating to note that Strauss drew inspiration for this composition from the world around him. In this case, he found it in the emerging technology of the time, namely, the steam locomotive. The composition itself is a testament to Strauss's ability to capture the essence and energy of the subject matter. The rhythm of this dance piece mirrors the rhythmic chugging and movements of the old-fashioned steam trains that were prevale
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Beethoven - Introduction

Marble bust of Beethoven


Ludwig van Beethoven's work has remained unwavering at the top of the art of sounds since its birth. No one dared to question the value of his masterpieces.

The uniqueness of the German composer is not without cause. It was he who first opposed the necessity of the rules of classicism, he was the one who reversed the hierarchy of reason and emotion in the music.

His music nourished by the impulsive tendencies of a fiery temper inspired the aesthetic that was meant to dominate throughout the 19th century. The musical romance saw his birth secreted by his own automatic stylus.

His music is an unrepeatable happy essay made up of an unhappy man. In the desperation caused to him by the impracticality of his emotional desires, the mental pain was brought to an end by the awareness of the coming toatl deafness.

His inability to hear the sounds of nature, the sounds of life, the sounds of his own music did not prevent him from drawing his precious works with exquisite musical reflections, whose origins must be sought beyond human imagination. He was rightly called the "Titan of Music"!



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