Johann Straus II - Vergnügungszug (Pleasure Train), op. 281

Johann Strauss II , known for his waltzes and lively compositions, had a unique approach to his creative process. He consistently sought contemporary and relevant themes to serve as the driving force behind his new musical compositions. This approach ensured that his work remained fresh and connected with the audiences of his time.  One notable instance of this creative approach was the composition of this polka, composed in 1864. This piece of music was specifically crafted for a summer concert held in the picturesque Russian town of Pavlovsk. It's fascinating to note that Strauss drew inspiration for this composition from the world around him. In this case, he found it in the emerging technology of the time, namely, the steam locomotive. The composition itself is a testament to Strauss's ability to capture the essence and energy of the subject matter. The rhythm of this dance piece mirrors the rhythmic chugging and movements of the old-fashioned steam trains that were prevale...

Tschaikovsky - 1812 Overture, op. 49

Tchaikovsky's Overture 1812 expresses Russia's nationalist spirit for the Russians' magnificent victory over Napoleon.

In 1880, when he was writing the charming Serenade for Strings, Tchaikovsky undertook to compose a "ceremonial introduction" for an exhibition of industrial art in Moscow. As a theme of his introduction he chose Napoleon's Russia Campaign, which ended with the great victory of the Russian Army. At first the composer intended the introduction to be for outdoor performance and felt that it should be "very loud and noisy". Since then the introduction has become his most famous and most popular concert work.

The "1812 Overture" is in fact an introduction to a concerto, in other words is a stand-alone work of orchestral music and not an introduction to opera or a more extensive work. The play describes the invasion of Russia by Napoleon's troops in 1812 and their retreat and defeat in the winter of the same year. Despite the composer's doubts about the music, it is certainly a very successful anniversary project.

It begins gently and ritually with the strings that play the melody of an old Russian anthem. Soon the music becomes rhythmic, as Napoleon's troops are promoted to Russia. Tchaikovsky depicts the warring troops using escerpts from the French national anthem (La Marseillaise) and various Russian traditional melodies.

The Spirit of Mother Russia

But another theme that violins play high, invokes the insetheless spirit of Mother Russia. The sound of the cannon and the cymbal squash, recalls the battle of Borodino, near Moscow (the French arrived in Moscow, but were soon forced to retreat due to devastation they suffered from the terrible Russian winter).

The introduction celebrates the final Russian victory with musical cannons and a joyous bell, while the brass instruments triumplantly announce the theme of the Russian national anthem.


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