Johann Straus II - Vergnügungszug (Pleasure Train), op. 281

Johann Strauss II , known for his waltzes and lively compositions, had a unique approach to his creative process. He consistently sought contemporary and relevant themes to serve as the driving force behind his new musical compositions. This approach ensured that his work remained fresh and connected with the audiences of his time.  One notable instance of this creative approach was the composition of this polka, composed in 1864. This piece of music was specifically crafted for a summer concert held in the picturesque Russian town of Pavlovsk. It's fascinating to note that Strauss drew inspiration for this composition from the world around him. In this case, he found it in the emerging technology of the time, namely, the steam locomotive. The composition itself is a testament to Strauss's ability to capture the essence and energy of the subject matter. The rhythm of this dance piece mirrors the rhythmic chugging and movements of the old-fashioned steam trains that were prevale...
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Camille Saint-Saëns - The Carnival of the Animals (Le Carnaval des animaux) - Part 1

Camille Saint-Saëns wrote this satirical and entertaining suite in 1886 for himself and his friends exclusively. It was played only once in a close private circle, and Saint-Saëns did not allow it to be performed in public while he was alive. Either he believed that the work was not of particular value or perhaps he considered it unworthy of a composer at the top of his career. 

Whatever the reason, the score remained untouched for 30 years and was only published in 1922.

I. Introduction and Royal March of the Lion

The fibrillation of piano chords and the emerging string phrases of this "magnificent zoological imagination" define the Introduction and Royal March of the Lion. As the music grows, the excitement intensifies until everything stops abruptly with a final bow of the orchestra. The pianos play a rhythmic fanfare and a slow string melody finally announces the arrival of the Lion. Even his terrible roar is heard - low on the piano and later on strings.


II. Hens and Roosters

The hens cheerfully sing, noisy and carving in Hens and Roosters in high tone and complement the rooster's resonant laity on the piano and high on the clarinet.


III. Hémiones (Wild Donkeys Swift Animals)

The fast, impetuous scales of the piano in Hémiones mimic the brutal toil of the amateur pianist.


IV. Tortoises

In Tortoises, the double bass plays a slow version of Offenbach's Can Can.



V. The Elephant

Bass also appears on The Elephant, while the poor creature struggles to dance in the swirls of a waltz.



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