Johann Straus II - Vergnügungszug (Pleasure Train), op. 281

Johann Strauss II , known for his waltzes and lively compositions, had a unique approach to his creative process. He consistently sought contemporary and relevant themes to serve as the driving force behind his new musical compositions. This approach ensured that his work remained fresh and connected with the audiences of his time.  One notable instance of this creative approach was the composition of this polka, composed in 1864. This piece of music was specifically crafted for a summer concert held in the picturesque Russian town of Pavlovsk. It's fascinating to note that Strauss drew inspiration for this composition from the world around him. In this case, he found it in the emerging technology of the time, namely, the steam locomotive. The composition itself is a testament to Strauss's ability to capture the essence and energy of the subject matter. The rhythm of this dance piece mirrors the rhythmic chugging and movements of the old-fashioned steam trains that were prevale
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Joseph Haydn - Trumpet concerto in E flat

Joseph Haydn composed this concerto in 1796 for the Viennese court trumpeter Anton Weidinger. Weidinger had at the time devised a key instrument that favored his interpretive potential, thereby increasing its ton range compared to the traditional "natural" trumpet. Haydn cleverly exploited this feature by creating one of the few popular trumpet concertos.

Μovements:

Ι. Allegro

The first part, Allegro, begins in the usual way, namely with a "tutti" - a section for the entire orchestra that introduces the main material of the part. Then the solo trumpet enters and confidently suggests the themes. Here's a central "development" section where issues expand further. Then, after a return to the opening material, the orchestra stops playing leaving the trumpet to perform a cadenza. Here, the trills are clearly heard, which the new kind of key trumpet could produce much more easily.


ΙΙ. Andante cantabile

The second part, Andante cantabile, is in a calm, singing style, as its characterization states. The expressive melody first introduced by the violins and then interpreted by the soloist, remains one of the most beautiful and expressive parts ever written for trumpet.


ΙΙΙ. Allegro

The third part, Allegro, is the best known part of this concerto. Its melody is presented first by the violins, after by the entire orchestra and finally by the soloist. Haydn was able to bring out with great knowledge the clean but rounded tone of the trumpet in this brilliant, happy work.



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