Johann Straus II - Vergnügungszug (Pleasure Train), op. 281

Johann Strauss II , known for his waltzes and lively compositions, had a unique approach to his creative process. He consistently sought contemporary and relevant themes to serve as the driving force behind his new musical compositions. This approach ensured that his work remained fresh and connected with the audiences of his time.  One notable instance of this creative approach was the composition of this polka, composed in 1864. This piece of music was specifically crafted for a summer concert held in the picturesque Russian town of Pavlovsk. It's fascinating to note that Strauss drew inspiration for this composition from the world around him. In this case, he found it in the emerging technology of the time, namely, the steam locomotive. The composition itself is a testament to Strauss's ability to capture the essence and energy of the subject matter. The rhythm of this dance piece mirrors the rhythmic chugging and movements of the old-fashioned steam trains that were prevale...
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Johann Strauss II -"Tales from the Vienna Woods", Op. 325

Johann Strauss II's love for Viennese life is evident in this waltz he wrote in 1868. He had just returned from his triumphant visit to Paris and this waltz is an anthem of life in his city. The people of the city used to escape to the "heuringen" or country taverns, to drink and taste the fresh air. The atmosphere of these merry excursions is expressed in the lively melody in the "Tales from the Vienna Woods".

It is one of Strauss's most figurative waltzes and one of his most popular. The themes are performed in such a way as to submit the sounds of the Viennese countryside and the fun of the villagers.

After a long introduction with melancholy hunting horns, vigorous melodies are interwoven with bird chirping, folk dances and a little memorable melody on the zither, which presents an old Austrian dance called "Ländler". The zither was the most common musical instrument of peasants and folk musicians in Strauss's time. Strauss, in this waltz invokes an instantly recognizable sound that was heard for several generations in the country taverns outside the city. After announcing the rhythm of the waltz, the strings glide sweetly and gently to the main melody.

Soon the music takes its pace. Various melodies are introduced and repeated. Often some part of the orchestra takes over emphatically, creating a wonderful combination.The coda returns to the theme of the waltz, which is once again played by the zither and as the music dives to its final scale, one last roll of drums ends in a fioritura.



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